Originally opened in 1967 to showcase Ukraine’s coal industry, the building is one of several pavilions on the National Complex Expocenter of Ukraine (VDNG) campus. Commissioned by RIBBON International, the project marks a turning point in Ukraine’s approach to Soviet architectural heritage, reframing Pavilion 13 as a dynamic platform for contemporary culture.

Reconstructing Kounellis’s work from 1997 in Ukraine today is to recognize that Kounellis was an artist informed by war, having lived through World War II and the Greek Civil War. His integration of industrialized materials common to wartime production as remnants of destruction, spoke as much to the postwar human condition as it did to fracture and disruption. As the artist noted, “since the war, we have only contradictions.”

Gamma factory (Zaporizhzhia, Ukraine) was built at the beginning of 1960th, specialized on the production of high-tech electronic products for the space, aviation and nuclear industries. After 1991 the company declared bankruptcy and declined. ФОРМА’s proposal for the mix-used development was based on the idea of creating a cultural, business and retail core of the city.

Guilty wine bar was conceived as a place to start the evening, and the exhibition program, curated by Maria Lanko and Liza German, extended this conception into the context of art. Drafts and sketches by local artists, such as Lucia Ivanova and Ksenia Hnylytska, gave an alternative view on the idea of the origin and preparation.

Project is awarded an Honorary Mention at the International Ideas Competition for Busan Opera House in South Korea. The competition was promoted by the Busan Metropolitan Mayor's Office seeking international ideas to build an opera house that would become "a future-oriented cultural space that can raise local performing art culture one level up with its hi-tech facilities and differentiated contents".

Zigzag is a city cafe located on one of Kyiv’s most fashionable streets, which became popular among the local creative community. Zigzag is a symbol, which is widely represented in Ukrainian avant-garde poetry and art.

"The display symbolizes exhaustion on many levels. Besides the obvious – depletion of humanity’s resources and credit with the environment – it’s about psychological exhaustion due to social media abuse, the pandemic and economic recession." Pavlo Makov

Masha Reva collaborated with ФОРМА to create set-design and scenography for the Rodebjer at Fall Winter 2020 show during the Copenhagen Fashion Week

ФОРМА was invited by 'goodwine' to develop a strategy for the renovation of buildings and the territory of the former Tetrapak factory.

i am u are is a platform for empowering the creative industry of Ukraine. Fair & exhibition will take place in New York on March 24-26th at the heart of NYC, Skylight at Essex Crossing.

044 House is a new residential complex in Podil district in Kyiv, designed by ФОРМА. The project was created on the principles of ecological urban development on the basis of in-depth study of “industrial Podil” and its historical architecture. The conducted research of residential buildings from 1980th, their rhythm, proportions and color scheme, gave an opportunity to develop a balanced design solution.

The main reason why Kyiv islands have become a wasteland is that they almost have no access from both sides of the river. For a 12-kilometer piece of land of Trukhaniv and Muromets islands there are only three points from which one can get into the area (from the Northern bridge, from the pedestrian bridge and from Hydropark). Hardly anybody can cover the distance on foot and get pleasure from walking and contemplation.

"Skystone" is a new type of prefabricated building with a 360º screen projection system presented at the General Assembly of the International Astronomical Union in Beijing."Skystone" is a self-sufficient prefabricated building in a hall with 250 seats with interactive technology. The building is closed from outside and looks monolithic. It will let people get an immersive experience in understanding the universe

In recent years, the rethinking of the purpose of industrial architecture has become a representative practice in which possibilities are determined by research. Architects are facing the situation, where the proposal must justify a certain set of functions and goals of the object. The architectural design of Promprylad. Renovation can be considered as a proper example to explore.

Ukraine is participating in the 18th International Architecture Exhibition curated by Lesley Lokko (20 May – 26 November 2023), with a Pavilion at the Arsenale (Sale d’Armi) and an installation in the Spazio Esedra at the Giardini. Before the Future is the title of the participation, organized by the commissioner Mariana Oleskiv, and curated by Iryna Miroshnykova, Oleksii Petrov and Borys Filonenko. Ukraine had not participated in the Biennale Architettura since 2014.

Since the beginning of the war in Ukraine, essential routes were equipped with defensive fortificationsーcheckpoints. All of them were built hastily from locally available materialsーconcrete, metal, wood, earth, or sand.
A checkpoint provides movement control and defense and can be part of a more extensive fortification system with surveillance, cover, and fire functions. The most effective protection of defensive structures is provided when combined with natural obstacles, such as mountains and ravines, rivers and lakes, swamps, and impenetrable forests.

Cxema is the life-changing party forging the new sound of the Ukrainian underground. Mixmag

“It seems like the most genuinely and painfully cool party left on earth.”
Electronic Beats, INT

Yalta European Strategy (YES) is a leading forum for discussing Ukraine’s European future and global context. YES fosters new ideas. It connects Ukraine to international partners, supports forces for change in the country, and builds networks of supporters for a new Ukraine worldwide.
Together with an architect Oleksander Burlaka, ФОРМА developed the project for the main pavilion.

Before the Future marks the return of the Pavilion of Ukraine to the Biennale Architettura 2023 after a nine-year absence. The catalog contains texts and images by the curators and collectives, as well as additional articles and essays that expand on the discussions initiated within the project.
In the exhibition and its accompanying program, the grass-covered defensive earthworks in the Giardini and the dark, enclosed shelter in the Arsenale are spaces for Ukrainian architects and practitioners from various fields to raise questions—questions about telling stories during wartime, about the value of collective action in the face of threat, about the multitude of topics that unite architects in Ukraine today, about questions that must be asked today, before the future.
Over a period of four months, five temporary collectives create a program of changing exhibitions in both locations of the Pavilion—about reconstruction, ecology, care, commemoration, and the future. These exhibitions originate from within the Ukrainian context and involve a wide range of participants, with the aim of creating spaces and dialogues fostering mutual understanding.

Today, the space of Babyn Yar is filled with multiple scenarios. They are played out daily in the area, which rather disorients and makes it impossible to spend time consciously within the memorial and preserved areas. This study is an attempt of a comprehensive look at further work with the territory based on the landscape analysis of Kyiv ravines.

We adapted the 60s glass modernist pavilion into a space for electroacoustic performances. Scene 13 is series of music concerts that features academic multichannel electronic music and held on the 17-18th of August by the Pavilion of Culture in collaboration with the Cultural Platform.

JOMO is an abbreviation of “joy of missing out”, which could be interpreted as the concept of abandoning the internet and technology without compunction. The JOMO burger cafe seems to be ironic about its surroundings and context: space is located in a bustling area, full of office workers and students. Rejecting the trivial representation of burger cafes, ФОРМА created a holistic clean space, disposed of unnecessary decoration.

The exhibition “Our Years, Our Words, Our Losses, Our Searches, Our Us” is accompany the opening of the Jam Factory Art Cente on November 18, 2023 and will be the first large-scale exhibition in the history of the art center. The exhibition present the works of Ukrainian artists from 2022-2023 and a longer chronology – from the 19th century to the present.

The Biennale takes place at a time of the greatest doubts of Ukrainian men and women regarding personal life and professional strategies, a time of rethinking the role of architects in wartime, and a time of transforming relationships with space due to the experiences of war and experiences of regular terrorist attacks on Ukrainian cities and civil infrastructure. But at the same time, at the moment of greatest need to be present in the international dialogue, speaking on our behalf.

Reflecting the landscape of Ukrainian photography today, Essential Goods is a group
exhibition featuring works by more than 20 young artists. Produced from 2014 to 2024,
their varied projects are held together by a common thread: of what it means to make
art in and of a time of war. When the future is uncertain, they ask: ‘what constitutes an
essential good?’
Opening in Kyiv on the 23rd May, Essential Goods is set across the Pavilion of Culture:
a 1967 modernist landmark, now a curatorial institution at the intersection of contemporary
visual art, music and architecture. With the outbreak of full-scale war, its programme was
suspended, and its buildings became a depot for humanitarian aid.
The question "Is culture the first necessity during the ongoing war?" formed the basis of the architecture of the exhibition Essential Goods with which the Pavilion of Culture begins a new season of activity after a two-year pause.
The uncanned building with the remained items of aid form the body of the exhibition, creating the possibility of coexistence between wartime needs and art.

The idea of the building as architectural incarnation of synthesis of vision and hearing, metaphor of music as a complicated system of simple primitives, as a shell for sound experiments, multifunctional stage for learning Hungary Music in all it’s manifestations.